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Tag Archives: Creative Writing

No Easy Story to Tell

I do a lot of genealogy.

I began after being inspired by my uncle who, back in the 70s, began researching one branch of our family. Genealogy was tough business back then. He had to do hard copy research, planning trips to various county courthouses, and Washington D.C. in order to pour through microfiche and archived documents.

After passing on himself in the 90s, his work sat dormant until one of his sisters self-published a book on his work. Upon reading her manuscript, and cogitating on it for some time, I decided to take up the task of completing his journey through time. The television show ‘Finding Your Roots’ provided additional impetus. After all, it was 2007, and the Internet could bring all of the documents to me. So I opened an account on and, using his work as my foundation, set to work.

Sometimes, when I feel like it, I’ll spend the entire day exhuming the remnants of individuals long since forgotten. The task may be a more convenient one, but is no less difficult. Names were rarely unique in any given period. It is amazing how many people were named ‘John Henry’ or ‘Francis Marion’ back in the 1800s. Throw in an uneventful surname such as ‘White’ or ‘Smith’, and the field broadens rather than narrows. Sometimes documents must be browsed rather than accessed alphabetically. Sometimes there’s no index to these documents. Sometimes individual court books hold thousands of records. Also during these periods, court documents were hand-written, and sometimes it may have been late in the day and the stenographer wanted to go home, and with speed, their handwriting became atrocious.

As with many others, genealogy often goes from a past-time hobby into a full blown compulsion. Determining where to stop becomes difficult. With every generation back that one goes, the workload quadruples. Many families consisted of at least eight children in those days.

After three years of fruitless attempts in finding my maternal 3nd G grandfather, I finally discovered that my 3rd G grandmother had given birth to my 2nd G grandfather illegitimately, and that the family surname was that of his mother, rather than that of his father.

Consider, if you will, that everyone of you reading this has sixteen 2nd G grandparents. And that every one of those people is responsible for your being here.

Consider that I have successfully researched back to my 9th G grandparents in some branches. It becomes easy to see how having over 8,000 people in one’s family tree is nothing special.

I can recall one Summer day at my paternal grandmother’s house. All ten of my grandparent’s adult offspring were there – along with their spouses – and were either sitting on the front porch, or in ladder-back chairs out under the tall Willow Oaks. Over a dozen grandchildren were easily present. I recall one of my aunts talking to the others regarding my uncle’s time-consuming passion.

Finally one called out across the front yard to him, “What do you expect to find out anyhow, Tip?”

He gave a boyish grin and replied, “Aw, you don’t ever know, we might be kin to somebody rich and famous.”

I recall the hearty laughter which followed.

With that Summer day long gone, not only has my grandmother been swallowed, but her old house, my father, and all but two of his siblings, and even a few of my cousins. Soon enough, all that will remain of that day will be my memory of it.

My uncle would be vindicated, were he still alive, and all of his siblings in awe of his objectivity, for thanks to his humble quest, I have determined that everyone gathered there that day were cousins to both the rich and the famous, for instance: Coca-Cola magnate Asa Candler, along with Lem Motlow, who inherited the Jack Daniel’s Distillery. As my cousin likes to say, ‘Everytime someone has a Jack & Coke, it’s a family reunion.’

I also discovered that they were all the 7th great-grandchildren of a woman named Sally Field and her husband Thomas Jefferson – grandparents of the father of our country – who was named after his grandfather.

However, I happen to feel the closest kinship to my 5th cousin novelist William C Falkner. I wonder if he might agree that, for many people, sometimes the simple truth proves no easy story to tell.


Love Is Only For the Young

I have written only a handful of love songs. Those songs are now close to forty years old. Politics is the only subject on which I have written no song whatsoever. Music and politics should never be mixed, and if anyone wants to know why I think so, leave a comment and I’ll cover the subject in a future post.

Today however, I am writing about love. Nasty emotion, love.

Very few of us, if any, ever have the opportunity to realise it. When we are lucky enough to grasp the emotion in its pure state, it is usually in connection with our children, or lacking that, a pet, or last, and probably most rampant, with our imagination through music. I personally believe that outside of these three things, everlasting love does not exist.

It has taken me sixty-one years to figure this out. Of course, being the objective guy that I am, I could change my mind tomorrow. But I doubt it.

Perhaps when I was younger, I was too optimistic. Then again, perhaps it is just experience and age which has made me too damned cynical.

Whatever the case, I was crushed by what I identified as love at almost every point in my life. I’ll bet that most of you will agree that you too were crushed, rather than validated. I’ll also bet that every old love song brings on a wistful gaze to most, calling to mind a love that used to be.

I contend that broken hearts rule the world, not love.

In the end, most of us die with a broken heart. Either a spouse has torn us in two, having passed on before us, our friends have all disappeared, our beloved pets have long since departed, or the place in which we were born and reared no longer exists.

Life insures two things: That, having been born strapped to a dying beast, we will one day not exist; and that before this day comes, we will have our souls ripped out by someone who we will never have again.

Enjoy the now. It is truly all that we have. Today’s joys will be tomorrow’s tears.

My Thoughts Since the Passing of Walter Becker

It seems we rarely give pause in respect to the passing of time, until we reach a certain point in our lives, and only then do we regard it peripherally. Additionally we give little thought to the passing of time in the lives of others as well. Especially those figures who are of the semi high-profile sort. As much as some of us like to think that we know about what they do, in the end, we find that we know very little, and that in reality they were little more than punctuation in our own lives.

The weight of this observation didn’t hit me until this past Sunday evening as I lay in bed. I had, as one could guess, been preoccupied with listening to music the majority of the day, and had not listened to the news until switching on my radio that night.

As soon as I heard the announcer mention the name of Walter Becker, I knew what words were to follow. Walter was one whose name would rarely be mentioned in context with anything else within the past forty years. One had to know who Walter was in order for his name to be familiar.

Walter looked like the guy you’d see in the seventies, sitting outside the mall waiting for a ride. One of the most unassuming bottom-to-top-to-bottom-to-top-again success stories in modern American music, Walter lived out his life in obscurity, in plain sight.

It occurred to me that this man had lived and died within a period of 67 years, and all that I knew about him could easily fit into a thimble. Even though throughout the years, I had painstakingly reverse-engineered his guitar leads and his bass licks, and had attempted to capture his ultra clean, rich lead tones to no avail.

Had Mr Becker not partnered with Donald Fagen during college, both men may have easily faded into the backdrop which is composed of the rest of us, and aja, one of my ten favorite albums of all time would never have materialised.

With the death of Glen Campbell last month, and now that of Walter Becker, the passing of time has become all too apparent to me.

We never know when we’ve caught our last trout, or completed our last composition.

What Is True Will?

You’ll often hear ads on television and radio which promote motivational speakers. These speakers often focus on the use of ‘will power’ in order to get monumental tasks accomplished. Thousands of posters, and countless memes have been dedicated to the use of positive thought and will power.

But what is will power, and is anyone actually in possession of true will?

How many times can you recall yourself saying something to the effect of, “I’ll never do that again”, or “From now on, I’m going to______________”? But how many times did you find yourself doing ‘that’ again, or forgetting the vow you solemnly made to yourself ‘from now on’?

These sorts of shattered illusions are what expose the true measure of our will.

When I was twenty years old, I made a short list of objectives that I fully intended to accomplish by the time I was thirty. I didn’t reach any of the goals. Not a single one.

But my intentions were good, of course. It seems that we always start out with the best of intentions in whatever we endeavour to do. Right before things go straight to hell.

So for the next thirty years, I was determined to see if there was one thing in my life that I could see through from beginning to end. One thing – surely couldn’t be too terribly difficult to accomplish. What, then, was the one thing that I was certain that I could devote the rest of my life to? Well, the one thing that I valued among everything else was music. I had begun my quest as a songwriter around the same age that I’d made my list, and it is true that I had not abandoned the journey. The fact was, that I had yet to be come successful at it. My dream was to be able to play several instruments tolerably, engineer sound, and produce my own material. Bands such as Todd Rundgren and Steely Dan were huge influences in this respect.

Success is a term that is generally associated with money and being well-known, respected among one’s peers, and the like.

Nonetheless, I persevered, and although I had learned a great many things in relation to the field – I was working in a retail establishment which sold musical instruments and sound equipment – I had still to make the strides that I had intended by the time that I was forty. Often it was necessary to remind myself why I had begun in the first place.

Throughout the course of rearing two children, and working all kinds of day jobs, I redoubled my efforts to set money aside for musical gear, and recording equipment. I also set aside one hour a day to practice at my craft, this was apart and completely different from the actual playing of music, which would consume even more of the time that I had precious little of.

By the time I was fifty years old, I had become connected to my Muse, and was writing profusely. The musical path that I had begun was a bit of a surprise, but I followed my Muse wherever it led without question. I completed my studio, which I christened Good Intentions, and chose ‘Hell Paving Company’ for the name of my publishing domain. It cannot be said that I was not acquainted with the irony of it all by this time.

In 2014, I tore my studio down with the intent of erecting it in another, more suitable room of the home. All of my gear sat in a corner collecting dust for the next three years. Chronic Fatigue is a cruel mistress, and my life had been slowing to a crawl since I had contracted it in November of 2007.

Then one night last month, while lying in bed, I was listening to the 20 odd sketches of tunes that I had recorded into my Android. I stared over into the dark corner that hid all of my recording equipment.

“Starting tomorrow, I’m going to start putting my studio back together, even if it kills me.” I told myself. The task was daunting.  But I knew that if I died before getting the tunes – which the Muse was still being so charitable in supplying me with – properly recorded, I would go to hell. Hell is a completely different place for writers. I imagine it to be a place where only poorly maintained manual typewriters exist, paper is at a premium, and the thoughts come too quickly to transcribe.

Mainly, however, I couldn’t bear the thought of leaving these tunes orphaned. Nobody except I had heard them, and my task was to get them recorded and give everyone else a chance to hear the wonderful imagination that the Muse is so blessed with, for you see, I do not feel that these pieces of music are mine. I have been assigned a task, and it is up to me alone to complete these pieces.

Eight days later, although my back and shoulders were killing me, the studio was together, and I found myself becoming painfully reacquainted with the plethora of cables and the routing of which I had all but forgotten.

Today I fired up all of the components, and with the exception of the ancient synthesizer, everything seems to be working. Maybe if I just jiggle the handle….

So I have discovered that perhaps there is indeed a bit of true will left inside of me at the age of 61. And that I may have, in fact, discovered the meaning of true success.


Overuse Of the Word ‘I’ Reaching Epidemic Proportions Worldwide

Having received more than a few inquiries from my Facebook friends and ReverbNation associates about my intermittent activity on the Internet, the following explanation is offered. As most everyone knows, these sites are capable of consuming huge hunks of time and it is with this knowledge that I have made a conscious decision to avoid the computer in order to devote all of my energy to songwriting, recording, and turning wrenches. Therefore, for the past month or so, I’ve been immersed in recording, guitar repair, and cylinder head work.

Inasmuch as the songwriting portion goes, there is, what I like to refer to as ‘passive’ songwriting. That is to say that I don’t ‘try to write’. It has become my modus operandi to simply let the music and songs come to me as they will, and the process works out rather well. Once in the ‘recording mode’, the songs just begin to filter down, and all that is left for me to do is to get onto tape what I hear in my head. That may sound somewhat esoteric and arcane, but this is simply the best way to describe it.

If I try to write, everything tends to turn out sounding redundant and contrived. This I hate. Once the process begins, however, it is something that is quite constant, and I find it more conservative in regard to total time spent to give myself over to it completely until such time that it ceases of its own accord, thus my absence from the Internet sites is duly noted and addressed.

I do like to post a blog on occasion when a subject comes to mind. It helps me keep up appearances.

A bit more on writing to those who may be interested.

A couple of weeks ago, my son was reading a piece I’d written earlier.

“You’ve used the word ‘I’ too many times,” he observed. It was humble pie directly to the face. My own advice had come back to haunt me.

“True,” I conceded, “but I was writing about me.”

“That doesn’t matter,” he continued, “you can always reword a sentence to avoid overuse. You used it six times in one sentence.”

He was right. I was identified with my subject matter and there had been a strong emotional attachment, which explained everything.

For many years now, it has been a practice of mine never to write a song in first person. To my way of thinking, this leads to no good. It also is the best way to develop writer’s block, create boring subject matter and come across as being self absorbed. When one writes in this fashion, the possibilities are immediately limited to ones’ own experiences. I don’t intend to speak for anyone else, but life has been pretty boring insofar as writing songs about me goes.

At best, all first person writing is good for is a couple of sappy love songs, and few more blues songs after the relationship has gone kaput.

Now, we all can name songs which have been written about courtship, and then there’s a couple of wedding tunes, but can anyone name a ‘We’ve Been Married Twenty Years’ song? Not too many ‘Honey, I’m Picking Up a Gallon of Milk and a Newspaper, See You at Six’, or ‘Meatloaf Serenade’ songs out there, are there?

Sure, there are songs full of promise, and tunes such as ‘I Love You More Today Than Yesterday’, but I can’t say with any amount of certainty that Dude was married when he wrote that.

This isn’t to reflect badly on marriage, it’s just that there’s such a limited amount of material there.

Unless you want to count that stupid ‘Pina Colada’ song by that guy whose name I don’t even remember.

Oh yeah. Rupert Holmes. What a dillweed.

Damn it.

Now that nonsense will be playing in my head all day long and I won’t get any work done. Sheesh. I hate that freaking song.

See why I stay off of the computer when I’m trying to write and compose?

The Mercurochrome Link to White Knuckle Gaming

That does it. I’m suing everybody for everything. Nothing is my fault and I just realised it.

I thought I was over it. The Nintendo 64 had been sitting on the shelf for years, untouched.

Sure, I’d played the 64 with my son when he was a kid. You know, why not? I had the toys, the candy bars, the paregoric, the mind-numbing Loony Tunes. I had the comic books, the Matchbox cars, and the model locomotives. Shouldn’t he have had a chance to enjoy it all, too?

So his mom bought him a Nintendo 64. The games were largely innocuous and cute: Zelda, Mario 64, Rainbow Six, Mohammad Ali Championship Boxing, Madden 98 (nothing to make him want to go out and mutilate anyone like the Black Sabbath, the Judas Priest, and Blue Oyster Cult did that I used to listen to), Aerial Assault, Star Wars… Oh…..and Mario Kart.

I looked at the dust covered gaming console too long. I remembered too much. Suddenly, I was a recovering heroin addict who was having his old drug of choice proffered to him again.

God damn Mario Kart. Images of Peach and Yoshi drifted through my mind. My blood boiled anew. I slowly reached for the device, and my palms were already moist with perspiration.


When I was a kid, we’d all be outside playing, and sometimes one of us would fall and tear part of our tender little bodies open. It was an occurrence that we all dreaded and that we would try to wish away. One day, I ripped my knee open pretty badly. All of the other kids stopped playing to assess the damage as well, and looked at me solemnly.
“Are you gonna have to go home?” they’d ask.
Another would inquire, “Do ya’ll have Merthiolate or Iodine?”
“No,” I’d answer, “all we have is Mercurochrome.” My response would send a shudder throughout the group that you could feel and see.

Mercurochrome is how I developed my four octave scream. Even today, uttering the word even makes me tingle in a way that is vaguely uncomfortable. It conjures up something dark, evil, and foreboding. Mercurochrome.

Now, any compound which has, as its root words Mercury and Chrome, can’t be too good to smear into an open wound of any organic being. But as a kid, we were all routinely dipped up to the neck in this shit.

The kid who lived across the street from me rocked incessantly and would cry when jets flew overhead.

Another who lived farther up in the neighborhood would suddenly snap and beat other children up. He’s the only twelve year old I ever knew who had the “hundred yard stare.”

Me? I had a little fling with OCD. I hid it most of the time, but I’d give it free run when I was out playing by myself. I say the same word over and over and over and over and over and over and over. I’d hold my breath and then stagger it until I got it all back in time with something that I didn’t understand. I was a slave to ADD all throughout my time in school, although I wasn’t diagnosed until I was in my forties. All of my afflictions came out in the form of art or music or mailbox bashing. I got over the bat wielding, but the effects of the Mercurochrome still make themselves apparent in my music from time to time:


Or…..when I play Mario Kart.

And before I know it, there I go. I’m hooking up the console…desperately seeking RCA patch cables. I can’t find them after a two hour sweep of the house, and I find myself hunkered over my project bench, soldering cables up in the sweltering heat of the halogen lamp… and I know that it already has a hold on me. By God, I’m giving it to Mario Kart. Next I’m blowing in the cartridge, washing my hands, using alcohol and then talc.. getting ready.. to win. Charlie Sheen is right. It is all about winning, and my son’s ancient Nintendo 64 has shown me the way.

I go white knuckle so fast, and want to kill Toad and that stupid little lizard. As a matter of fact, I get to where I can’t stand my own driver. I’ll crash him into walls and see if he can virtually die if he pounds the wall hard enough. I hate the controller. I want to jerk the game out of my mind by the roots because I know that I’ve blown the lid off of my self-imposed moratorium and am completely re-addicted. I won’t stop until I win every course, curse every driver to hell, or hurl the controller through the television screen in total disgust.

Or until drained, I slowly rise from the couch and turn off the set and awaken from this video induced hypnotism. My God, it’s two thirty in the morning. It seems like it was just eleven a.m.

Telling myself to just unplug the game and put it away, hide it in a closet, or take the evilness to the Goodwill outlet to bait some other poor fool, I go to bed and cry myself to sleep at night.

But the console sits in the floor still. Until the next time that I look at it, and feel that shiver of excitement… and then the uncontrollable rage.

So you see.. none of this. is.. my fault.

I’m suing everybody.

Johnny Nowhere is a songwriter who is currently undergoing therapy.

Voluntary Versus Involuntary Personal Slavery

I know this big, friendly fellow who had a severe heart attack a couple of nights ago. The prognosis isn’t good. A wife, three teen-aged children, and there he lies today, not yet forty years old, in a coma, somewhere in the middle of time itself.

As in all such instances, the fragility of life got me to thinking about my own achievements, or lack thereof, made in the time that I’ve been so far given. As I’ve aged and suffered setbacks, I’ve become a pretty reliable authority on how to do things.

Mostly on how not to do things, unfortunately. But one way or the other, we learn.

As far as my own choices go, I like to contrast my life against that of Arnold Schwarzenegger. It keeps me humble.

According to Arnold, he was a poor kid from Austria who had developmental issues, and one side of his body was a good deal weaker than the other. As a result, his doctor prescribed weight training to address the problem. Arnold quickly adapted to the regimen and decided to take big, giant steps to become the best he could be. And he did.

He came to America, although he barely spoke English. He lived in his car for a while. He took lots of risks, but he believed in himself so strongly, he didn’t allow anything to stand in the way of him and his dreams.

His abilities and achievements are a direct reflection of his dedication to, and practice of, his craft.

This same thing can be said for each and every one of us as musicians and songwriters.

One can argue with this logic all day long (mostly in defense of one’s own lack of achievements), but at the end of the day, the fact will stand as testimony to the undeniable truth that can be found there.

Universal truths are glimpses of universal facts, tucked into timeless proverbs.

For instance, if one wishes to be a guitar player, yet practices drinking beer more than he practices guitar playing, he will become a better drinker than guitar player. The facts bear my words out. I know some devoted drinkers who play guitar only tolerably.

Several years ago, I quit drinking and applied myself to the craft of practicing guitar, within five years my guitar playing improved 1000%. Seriously. But I was encouraged early in life to play to my strengths, and one of my strengths was to make rational decisions. I decided that I wanted to play guitar more than I wanted to get a buzz.

A man who I much admire once said, ‘a man who wishes to become a Man cannot sit between two stools for very long without losing everything’. Now I, at fifty-eight years of age, understand the meaning of his words all too clearly.

I wasted time sitting between stools, and by the time I got good enough at my craft to write and record suitable compositions, the music industry had taken a hard turn. Within a decade, a once thriving business was going down like the proverbial Titanic. The model changed, largely on account of the digital revolution, and it caught a lot of musicians with their pants down around their ankles. Others perceived the coming cataclysm and diversified.

But the losing horse blames the rider.

I went through that phase for a while. It was bullshit, of course. Now I blame no one but myself.

I still have beautiful melodies arise from the ether in my noggin, and I, ever dutiful to the Muse, pick up my instrument and do my very best to transpose the sounds in my head onto tape. I do it for a different reason now. But I do it. And I do it the best way that I know how.

Unconscious, or Involuntary Personal Slavery is a terrible thing. It is the worst form of slavery, for it is the hardest form to release oneself from. It is so much easier to designate a scapegoat. Most people who cling to Involuntary Personal Slavery secretly love their chains. They’ll come up with every excuse under the sun to justify staying chained down, rather than rising up and leaving the plantation. Most of the time, fear is the prime motivator for remaining clapped in their imaginary irons. Fear of failure. Fear of nothing of real value in the free Man.

This type of slavery takes many forms; addictions to food and alcohol, religion, sex, fame, anger, notoriety. All such slavery is simple stupidity. Until one can break these chains, one will never truly be free. But most people do not really wish to be free, for slavery gives them the option to apply blame to an outside instigator or oppressor.

Let us use the analogy of slavery in America. Now, slavery hasn’t been practiced in America in over 100 years, but most modern Americans have been taught very little about the role of slavery in America, or of the War Between the States for that matter, which was more over money and states rights than slavery. Even free blacks owned slaves in America before the War, but that is never discussed because it cracks the mold; and although most modern American blacks wouldn’t recognise a cotton stalk from a corn stalk, they live as if they are still on the plantation.

And in one sense, they still are.


African blacks regard American blacks with disdain. They think that they (much like the modern Jew) are big crybabies who have every opportunity to make something of themselves, yet who prefer to spend all of their time and energy making themselves out as victims, blaming past events for keeping them in their present set of ‘circumstances’.

Ask anyone who has spent time getting to know the blacks who inhabit the continent of Africa. African blacks are very tribal. If an American black is unable to trace his tribal ancestry, he is not considered a ‘long lost brother’. He is just another Black American. Neither is he referred to as an ‘African-American’. African blacks will tell you that they would gladly trade places with any American black in order to be able to take advantage of all of the opportunities available to them. However, African blacks, in spite of all of their difficulties, such as walking miles daily simply for water, are among the happiest people in the world, always smiling, always joyful.

These native Africans have every reason to wear their daily struggles like a badge, but they choose to have a bright outlook on life, unlike American blacks, whom the Africans think are a bunch of brainless fools, shooting one another up, running drugs, and rapping about how ‘hard’ life is. African blacks feel that American blacks know nothing of real struggle.

I pretty much agree with the Africans, because the so-called ‘struggles’ of the American blacks are primarily imagined. The mindset is passed down like a disease from one generation to the other. These days it is referred to as ‘white privilege’. Meanwhile the genuinely enfranchised class becomes extremely jealous of their lawfully granted privileges: Although American blacks, who in the past thirty years have been born into a society which, through all sorts of legislation, grant them more rights than most other American citizens enjoy, the majority of them still choose to blame their own failure to act on white people, primarily because it has been made too tempting to whine about some perceived inequality.

And many whites exacerbate the image. They choose to believe that they, via inheritance, are partially to blame for the black population’s imaginary suffering. This further allows the American black population to keep themselves ‘down’, while allowing many of the white population to actually defend the mindset.

Both attitudes, incidentally, insure the continuation of the Status Quo.

The squeaky wheel gets the grease, but once the squeaking stops, the greasing stops. Some American black ‘leaders’ have figured this out, as ‘spokesmen’ in order to keep the wheels greased, as well as their pockets.

What a sad joke. It is unfortunate that so many people buy into the whole facade, because there is no solid foundation on which to base the belief, only a lot of justification for imagined anger.

The point I am attempting to make here, is that this is just another form of Involuntary Personal Slavery.

This form of slavery almost always takes on the form of justification and false inculpation.


If one cannot look objectively at one’s position in life, one will never be able to make the most of one’s skills and talents. Merely mimicking another person’s way of doing things is not being true to oneself.

I discovered that until one is made aware of the fact that he is indeed a slave, he never feels the need to escape. This is a fact that I did not discover this on my own.

By quite accidental and ‘miraculous’ intervention, I found the student of a teacher of a ‘school of another kind’, who tempted me to ‘look’ at myself. It was said that if I could only realise that I was enslaved, that I might, through cunning, obtain certain metals in order to devise tools which would then enable me to design and file a skeleton key which might then unlock the shackles of imagination, but nothing was guaranteed. The prescription was not an easy pill to swallow. The idea, in and of itself however, was painfully simple. It required me to sacrifice my ‘self’ to the will of another for a period of time, to sacrifice my imaginary suffering, and suspend all of my beliefs. This can be thought of as Voluntary Personal Slavery. I found that this was much easier to discuss than to put into practice. This work necessitated a great deal of inner struggle, as one of the requirements was to mercilessly destroy all of my idols. As prescribed, it took years to reach some semblance of achievement. It also caused me to become very calloused.

What I found left was nothing more than an empty shell, a raw animal, devoid of form. There was nothing of my self to be found. All of my ideals were baseless. I was an idiot in the truest sense of the word. All of my opinions were those of others. All of my ‘beliefs’ turned out to be little more than silly Jewish fables parroted to me in my earliest days, from one hyperventilating idiot to the next.

Then I was sent to ‘school’, where I was ‘educated’. Simply put, school gives us ‘vocabulary’, teaches us how to crunch numbers, and instructs us in all of the vogue sciences of the day, but gives us very little solid knowledge.

It took me far too long to shake the shackles of my musical influences, The Beatles, the Doobie Brothers, and the ‘singer songwriter’ phase that I went through. I was none of these. I was simply trying to copy someone else, but wasn’t aware of it.

This was the slavery that my so-called ‘freedom of thought’ consisted of.

It was during this extended period of ‘wandering the wilderness of my soul’, that I experienced a ‘shifting of poles’, wherein everything seemed very superficial and inverted. But then I began to practice my instrument in a certain way, and things began to take order.

Robert Fripp’s school of Guitar Craft was extremely instructive in this regard.

Robert was also a student of the same particular ‘school of thought’ which I had discovered, and there was a ‘secret language’ of sorts which I immediately recognised as school terminology. His instruction in guitar led to further ‘enlightenment’ for his approach to practice was completely different. It was only then that I began to distinguish the Muse from otherwise distracting thoughts, and gave myself over to it.

In this realm, the music has existed from the moment of the beginning of time, and the musician is merely an instrument which makes himself available to the Muse. In this respect, the music makes the musician, rather than the opposite. The feeling is much like being taken down a wooded path blindfolded. Often, the musician is only vaguely aware of what he is doing until he is done. Music is a moving and ‘religious’ experience.

Everyone already really knows what I mean: The annual television cartoon ‘Merry Christmas Charlie Brown’ is really only good because of the music. And everyone gets that fuzzy feeling inside when Linus quotes the short biblical scripture and everyone begins the a cappella ‘oooh’s to ‘Hark, The Herald Angels Sing’ around the proud little Christmas tree. You don’t have to be religious to feel religious. The secret is the music. Not the religion.

That’s precisely why all churches make use of music. Closer to God. It’s that simple. Oh, some denominations will split hairs about the use of instruments and whatnot. That’s just a lot of nonsense. God invented music. Don’t believe me? Just go to church and tell everyone that you don’t believe that music or singing have a place in the church. They’ll look at you as if you’ve lost your mind.

But you won’t do that, will you?


Since finding my Muse, I have developed into an instrumentalist which I would have never imagined myself, and have ‘ghost written’ many tunes which It has presented to me. Fame and fortune were not to be mine, but I would not trade my task for anything in the world.

My achievements are mine alone, and the rewards are likewise.

Due to illness, there are many activities that I have been forced to discontinue, but my guitars and my Muse will be the last things that I will surrender when I follow the others into that timeless void that John is edging ever closer toward tonight.